Review of ‘Crave’ by Sarah Kane.
Sarah Kane has gained some notoriety after the Daily Mail wrote off her first play, Blasted (1995), as a ‘disgusting feast of filth’. Her plays deal with, amongst others, topics such as rape, drug addiction, suicide, and cannibalism. True to form, Hypnotist Theatre’s production of her penultimate play, Crave, contains trigger warnings for rape and sexual assault, which provide the subject matter for the work. However, once the furore surrounding the presentation of “difficult” topics on stage has dissipated – these are hardly uncommon themes for many contemporary theatre writers – Crave seems to have little to recommend it beyond the Daily-Mail-driven hype. Although Hypnotist Theatre provided clever staging and compelling acting, the production rarely escaped the various clichés littered throughout the script, meaning that despite the production company’s commitment to ‘the uncomfortable’, I left the theatre distinctly unperturbed.
Written in a fragmentary style inspired by T. S. Eliot’s
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