An interview with director Max Gill.
Inviting the audience to ‘experience Illyria as you have never seen it before; an iridescent and perilous realm’, Oxford University Drama Society’s summer tour production of ‘Twelfth Night’ promises to revitalise Shakespeare’s comedy of misadventure and false identity. I spoke to director Max Gill about interpreting the fantasy world of Illyria and its inhabitants, the practical challenges of staging a touring show, and the importance of music and design in this production.
Why did you choose to stage ‘Twelfth Night’?
Because I think it’s one of Shakespeare’s most difficult plays to direct and conceive of. It teeters all the time between an overt comedy with lots of ridiculous situations, while at the same time there are elements of tragedy and quite troubling psychological portraits of people. As a director it makes you have to make quite bold decisions in what you’re doing, which is quite scary and potentially risky, but…
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