Review: ‘King Lear’

Review of Creation Theatre’s production of Shakespeare’s ‘King Lear’.

The Oxford Culture Review

2016 is proving to be the Year of Lear. Shakespeare’s most troubled tragedy seems to be dominating his anniversary year — it’s hitting stages with Anthony Sher and Glenda Jackson in the titular role, and has been the subject of both historical and performance-centered scholarship. It’s also Creation Theatre’s Spring production, currently running at Blackwell’s Bookshop in Oxford, as part of Oxford’s Shakespeare festival.

Creation Theatre set out to find ‘unusual spaces’ to stage their plays, and the Norrington Room has proved to be a pretty perfect space for King Lear. With audience members nestled among the alcoves holding volumes on philosophy, religion, and psychology, there seems to be no more fitting setting for Lear’s descent into madness. The written word is pivotal in Lear — miscommunication and manipulation largely occur via letter, when there is no physical presence to confirm or refute their meaning. So holding the…

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