Review: ‘The Intruder’ and ‘The Seven Princesses’

My review of Bialystock & Bloom’s production of Maurice Maeterlinck’s two early plays ‘The Intruder’ and ‘The Seven Princesses’.

Bialystock & Bloom Productions took on an ambitious project by deciding to stage a double-bill of Maurice Maeterlinck’s early plays, The Intruder and The Seven Princesses. Penned in 1891, these two plays were formative for the symbolist movement. Full of allusion, misdirection, and metaphor, they were Maeterlinck’s attempt at bringing to the stage the symbolists’ […]

via Review: ‘The Intruder’ & ‘The Seven Princesses’ — The Oxford Culture Review


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