Why incidental music?

As with very many (perhaps too many) things in my life, it all began with Sibelius. During my undergraduate degree I had discovered Sibelius’s symphonies and, after some soul-searching, decided that I loved this music enough to pursue a Masters on Sibelius, and try to build an academic career studying Nordic music. I threw myself... Continue Reading →

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How to stage a radical Shakespeare

It’s April 1920, and we’re in Gothenburg, Sweden. We’re on our way to the Lorensberg Theatre, to see a production of Shakespeare’s As You Like It. Critics have been raving about it. It’s been hailed as marking a new ‘epoch in Swedish theatre history’, so we’re off to see what all the fuss is about.... Continue Reading →

A Midsummer Night’s Dream

I've just had a short film released by the BBC! I am incomparably excited about this. It's available from BBC Arts - I'm talking about why we should listen to history as well as look at it, exploring Max Reinhardt's 1933 production of 'A Midsummer Night's Dream'.  

A year without Shakespeare?

I’ve just come back from the Sage Gateshead, where I was at Radio 3’s Free Thinking Festival for my last official outing as a New Generation Thinker. It was a little different to the essays and discussion shows I’d done so far: we all had to come up with a “controversial idea” for an academic... Continue Reading →

Music Into Words

Music Into Words is a series of events set up by music bloggers and journalists to discuss the future of writing about music, whether online or off. I will be speaking at the next event, on Sunday 12 February (13:15-17:00) at Morley College in London. Alongside Katy Hamilton, Tom Hammond, Kate Romano, Adrian Ainsworth, and... Continue Reading →

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